Views:87|Rating:4.55|View Time:8:22Minutes|Likes:10|Dislikes:1 खुबसूरत वीडियो बनाने के लिये प्रयाप्त रोशनी चाहिये,porta lights एक अच्छा समाधान है,इस वीडियो में कुछ बताने का प्रयास किया है,यह लाईट मेने offline यानि फोटो वीडियो की दुकान से खरीदी थी,इसमे इसका मॉडल नम्बर कही mention नही किया गया,simpex की भी porta light आती हैं,आप amazon या अन्य किसी भी online market से खरीद सकते हैं,1000वाट की रॉड इसमे लगती है और इसको चलाने के लिए बिजली की आवश्यकता होती है,इनवर्टर पर यह लाईट नही चल सकती,जेनरेटर पर इसको चला सकते हैं,पुरा वीडियो देखने के बाद कोई प्रश्न हो तो नीचे comment box मे लिख दे,यथा सम्भव जवाब देने का प्रयास करूंगा ।धन्यवाद
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“Hello everyone!! I’m Banshi Paliwal..A person, deeply in love with the nature,natural photography,wedding photography … all around, n with a great interest in capturing them on lens..To protect our natural environment ,the birds n the animals, is my ardent desire…Hope u’ll like my work –
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Views:147|Rating:5.00|View Time:6:24Minutes|Likes:14|Dislikes:0 [ My gear: ]
The foreground is playing such an important role in our images. Mudcracks is one of our favorite type of foreground, but it is so difficult to work with when combined with a tall element as the main subject (our tube light-painting! haha) . I’m spending so much time doing the composition when working with those, and we end up not having tons of pictures. However, as we know that we’ve been creating some of our best ones in these conditions, we keep pushing for more. It was really too cold that night and I can’t say we created miracles, but there’s one thing that we’re sure: the fact that we’re pushing so much to work in complicated conditions is making other shootings look easy. We got to work with other mudcracks a few months after these ones, but the conditions were so much better, and that experience with the cold made us appreciate more and also really made us take the time to figure out the perfect alignment. Check out episode 40 for a warmer one 🙂
Here are a few of our top mudcrack pictures (taken in other locations)
Video edit by Abraham Mercado, Kim and I
About this series: going to the Atacama desert was a dream for us. We knew we would go there one day, but things suddenly rushed out when Audi Canada invited us to go there. We spent a week in the cold winter of the desert to play with the tubes and the stars. Thanks to Benro for the continous support and the tripods! The 7 episodes are filmed during our 10-days trip to Chile in June/July 2018
Learn this technique:
Get the tubes on
— About the Tube Stories
We’re a dancer/photographer duo making our way using a tube, a feather, and a flashlight. Everything we do is lit by hand, one frame at a time. Light-painting for us is a lifestyle, and this is what we share with our audience. The purpose of the Tube Stories is to bring a brighter and more colorful night to whoever is going to cross our path. Our work has been presented on the BBC, CNN, MTV, VICE, TEDx and much more.
— About Eric Paré (Instagram: @ericparephoto)
Eric Paré is an artist-entrepreneur. When he’s not on the road creating the Tube Stories, he can be found with his team at his studios in Montréal where he is working on multi-camera concepts and new technologies. He has recently been doing high ends projects for Intel, HP, Facebook, Microsoft and Adobe.
— About Kim Henry (Instagram: @kimhenry.dance)
Kim Henry is a professional contemporary dancer that has a fascination for movement and human being. Versatile and curious, she seeks for projects that push her beyond her limits. As a freelance artist, she took part in more than 45 dance and physical theater projects since 2011. From a stage in a full-house theater to an empty desert, dancing is the language she likes the most.
Views:5362|Rating:4.31|View Time:1:49Minutes|Likes:31|Dislikes:5 By giofrasa
SONY Betamovie BMC-200
Introduced in 1983, the Sony Betamovie was the world’s first camcorder – a video cassette recorder and video camera combined. Before this unit was introduced, people carried separate camera and recorder units.
Numerous technical advances made the Betamovie possible. The Betamovie has only a single video head – all other VHS and Beta VCRs have at least two. The single head is mounted on a cylinder half the normal diameter (making the unit smaller) and spins twice as fast. This head can only record; similar to the earliest portapacks but unlike modern camcorders, you couldn’t play back your recording in the camera itself. To see what you’ve taped, you needed to put the tape in your home Betamax player.
The viewfinder is a simple ‘through-the-lens’ type, not electronic. There is no ‘Video Out’ jack, so you can’t output the video signal directly to another monitoring device. Because the picture is transferred from the pickup tube to the tape without being converted into composite video, less electronic circuitry is used. Chroma and Luminance video information aren’t combined as a composite video. Color and luminance information are treated separately and this resulted in superior picture quality. Without the extra video processing circuitry, the camera became smaller and lighter and the picture quality of the recording was better.
The Omega tape wrap system takes up a lot less space than a conventional Betamax deck. Omega wrap reduces the size of the video head drum by employing a second set of video heads which are used to record alternate frames of picture information. This was later to be adopted in
camcorders of other formats.
The original PAL Betamovie (model BMC-100) was black and silver with a rainbow-coloured carrying strap. The BMC200 was an improved version of the BMC100. It featured digital auto focusing. The unit weighed under 2.5kg and was able to record onto all Betamax tapes giving it a maximum recording time of 3 hours and 35 minutes with an L-830 cassette.The final model in the Betamovie range was the BMC-500 which used a CCD sensor instead of a picture tube. It also included a Liquid Crystal Display tape counter and battery-backed clock. The time and date could be superimposed on the picture as it was being recorded. Like the previous two models, the BMC-500 has no playback facility.
Specifications BMC 200
Video recording system: Rotary four-head helical scanning
Video Signal: CCIR standards, PAL colour
Audio frequency response: 50Hz to 10,000Hz
Audio S/N: Better than 40dB
Inputs and outputs
Audio input: From built in Microphone or 3.5mm Jack, unbalanced
Power: DC power socket
Earphone: 3.5mm Jack
Remote Pause: 3.5mm Jack
Tape transport: Tape speed 18.73 mm/sec.
Maximum recording time:
2 hours 10 min. (with Sony L-500 cassette)
3 hours 15 min. (with L-750)
Pickup Tube: 1/2″ SMF Trinicon
Minimum Illumination: 28 Lux
Lens: 6X Power Zoom with macro focusing.
Power requirements: 9.6 V DC from NP-11 battery or external DC supply
Dimensions: Approx. 125 x 220 x 357 mm (w/h/d) including projecting parts and controls
Weight: Approx. 2.5 kg ( without battery )
Superior Picture Quality
The unit is powered by a compact NP-11 battery ( weighing 12Oz )located in the carrying handle.
The BMC100 has a F1.2 Lens with 6X powered zoom, a built in condenser microphone, Automatic White Balance and a pivitol optical viewfinder which incorporated 4 LED indicators.
Views:103|Rating:5.00|View Time:2:40Minutes|Likes:14|Dislikes:0 Watch this new video of bhuvan bam ( bb ki vines). In this video you see the you tube journey of #bhuvanbam. How his first video look like, and how he starts his you tube career.
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Views:2840|Rating:0.00|View Time:15:19Minutes|Likes:|Dislikes: Strange UFO Videos Caught On Camera Around The World 2018
“Alien Planet” Channel comes up with Latest UFO/Alien Sightings Videos.UFO sightings in outer space are sightings of unidentified flying objects reported by astronauts while in space that they could not explain at the time. These sightings were claimed as evidence for alien visits by ufologists, although prosaic explanations have since been found for almost all of them. Some of the alleged sightings never occurred: science fiction writer Otto Binder perpetuated a hoax claiming Apollo 11 @Alien09M# Commander Neil Armstrong had encountered UFOs during the mission. @alienplanet#
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Views:4913|Rating:4.26|View Time:5:8Minutes|Likes:23|Dislikes:4 The KodaVision Series 2000 was the first 8MM video camera. It uses a tube and has a very nice picture. I have a large collection of tube type video cameras and I plan on making some 70s/80s style home movies with them someday, I can dress up in my bunny suit and crawl around like a baby. ^__^